If you are interested in WWII tank films, you have very likely watched Fury by now. It is a technical masterpiece of material authenticity, right down to the genuine Tiger used in several scenes â no doubt about it. Unfortunately, itâs hampered by a literally ludicrous ending, in which an entire battalion of veteran Waffen-SS are unable to stop throwing themselves into machine gun fire long enough to destroy a single immobile Sherman with a Panzerfaust. Really? Iâm happy to suspend disbelief when appropriate (as we will get to with White Tiger), but Fury canât decide if it is a a gritty uber-realistic film or a goofy heroes-wiping-out-waves-of-baddies flick.
If you came out of the theater with this sort of feeling as well â or if you just enjoy good tank movies â I would suggest one you probably havenât heard of: White Tiger (Belyy Tigr).
Hollywood, of course, produces movies as consumer products. Calculate what should net the most sales by picking the right starring names, storyline, plot elements, and so on. Itâs a great formula for making lots of money. Itâs not so great at producing film for the sake of film. For that, it is often better to turn to places like Russia and China (remember Assembly?).
White Tiger is a surrealistic story of World War II in the East â donât come into it expecting hardcore realism. The main character is a tanker who was basically charbroiled when his T34 was knocked out by a mysterious white Tiger that appears in seemingly-impossible places, destroys a slew of Soviet vehicles, and then disappears. To the disbelief of his doctors, the man survives his burns and heals completely. He has become seemingly impervious to harm as a result of his encounter with the Tiger, at the cost of his memory. He can remember nothing about his past or identity, but instead finds himself hearing tanks speak to him.
This mysterious Tiger continues to appear and wreak havoc, and a General orders the construction of a specially improved T34 to be crewed by the best men available with the specific mission of destroying the Tiger. The protagonist is chosen as driver/commander of the vehicle, and sets about finding and engaging an opponent that most rational officers donât believe in.
The T34 tanks in the film are genuine, not surprisingly, but the Tiger is a built-up prop vehicle. It is reasonably well done, although not up to the standards of American films like Saving Private Ryan or Fury. But fanatical realism isnât the point here â this film is a story and an allegory, not a special effects joyride. What is the White Tiger, and what is our driverâs connection to it? If you are looking for a war movie that requires more thinking that the typical Hollywood affair, I highly recommend this one.
It is, of course, in Russian â but you can order it on Amazon with English subtitles:
Hereâs the Russian trailer:
Iâm smelling a suitably scary ghost story. Iâm in.
cheers
eon
Eon, I read a raw scan of a Japanese war manga short depicting the last battle of an Elefant tank destroyer. The comic was appropriately called Ghost Elephant. Getting to the point; during the climax, the Elefant trashes just about half of all the American tanks and tank destroyers sent to get it. When the German protagonist orders the Elefantâs driver to advance, a mirage appears causing phantom look-alikes of the vehicle to appear around it as it emerges from its hiding place in suburban rubble. The American tank-commander in charge of the attack completely freaks out at the sight of the âghostsâ slowly coming at him out of the blue and calls for a massive artillery strike, killing the Germans but causing ludicrous collateral damage to everything else. A commanding officer yells at the tank-man for wasting ammunition but the tanker is still in shell-shock, wondering where all the terrifying Elefants went (even though his unit was trashed by only one vehicle)âŠ
The reviewer here makes great points about white Tiger. The film is certainly worth a watch for both war movie fans and those who prefer a supernatural touch. I enjoyed it a lot, and more so once I turned off my historical brain.
That said, the reviewer should read up on Audey Murphy before backhanding the director of Fury for its ending.
What Fury depicts is significantly more than what Murphy did. Murphy had a better position, artillery, inflicted fewer enemy casualties, and held his position for much less time (about an hour). Not that this is demeaning to his actions, but rather I think it highlights the improbability of Furyâs finale.
May I recommend Sam Peckinpahâs 1977 film âCross of Ironâ as the best Eastern Front epic in the English language? Great scene where a T-34 is disabled by infantrymen with a Teller mine as it crosses their trench.
Thanks for bringing that up â I had read both the book by Willi Heinrich and seen the film many, many years ago, and was much impressed by their candor and lack of jingoism. Itâs been long enough that Iâve almost, though not quite, forgotten about them. I must make a note to myself to read the book and watch the movie again.
I agree; this is by far one of the best anti-war movies Iâve ever seen
The problem with turning to China is that it is always the Chinese Communists winning everything, slaughtering the Japanese Devils and forcing the âWeakâ Kuomintang(Chinese Nationalists) to surrender because they canât fend for themselves and must bow down to the superiority of the Red Chinese. Sorry Its just that I have watched allot of B.S. Chinese movies that are all for the most part as I have just described. I say go to South Korea for some good war movies:
http://www.amazon.com/Front-Line-DVD-Blu-ray-Combo/dp/B0076XTFF0/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1419967867&sr=1-1&keywords=the+frontline
http://www.amazon.com/Tae-Guk-Gi-The-Brotherhood/dp/B0006VL1J2/ref=pd_bxgy_mov_text_z
Also remember when Hollywood made good war movies like: Apocalypse Now(I know its heart of darkness in Vietnam), Platoon, Battleground, The Clint Eastwood stuff, okay point is Hollywood used to make good movies, now not so much.
The Panzerkamfpwagen VI used in Private Ryan is a true mock up and is an insult to military vehicle historians. The turret is perfect Tiger, but the chassis is that of Russian T-34/85 they got from somewhere else with unknown engine that drives it. The Pkfw VI in Fury looks almost close to actual though it is still a mock up. The confrontation scene was designed to make the tiger a little bit stationary maybe to avoid it getting bogged until the take is over. We have yet to see one reconstructed from Aberdeen Museum and get a really nice debut movie.
Actually, the one in Fury is real; borrowed from the Bovington Museum in the UK.
I suspect the mockup in Private Ryan was built to the same plans as the one they built for Kellyâs Heroes forty-some years ago in Yugoslavia â also built on a T-34, which were likely pretty plentiful in Yugoslavia back then.
I actually found the one in Kellyâs Heroes a little more convincing, in that they seemed to film it a little more carefully â mostly avoiding profile shots that reveal that the turret sat a little too far forward on the hull, and always filming close in at an upward angle when people are standing nearby, thus making it look appropriately larger. I was disappointed in a couple shots in Private Ryan that failed on both those counts, but I suspect that Spielberg had directorial priorities other than impressing us historical hardware fanboys.
Furthermore, the Tiger had interleaved road wheels, which the T-34 does not have, so any side shot of the chassis will reveal the mock-up for what it is. I agree that Kellyâs Heroes preserves the illusion longer. It depicted tank vs. tank combat, so revealing close-up shots of the âTigerâ were not necessary.
To me the mock-up in Saving Private Ryan was still pretty good for what they had to work with. I believe the Bovington Tiger was not yet running at the time the movie was filmed, and neither were there any running Tigers in Germany. Restoring a 50+ years old tank with no existing spare part inventories anywhere to a running condition is not an easy task.
The interleaved wheels on Tigers could actually, on occasion, be taken off. Such as for instance, preventing on the morning of a frosty winter night the Tiger from being hopelessly stuck (actual cases).
Yugoslavia was mentioned here a couple of times. Actually, what made it a preferable venue for shooting war movies was, apart from the picturesque landscapes, Balkan villages, which could also pass for village in Southern France (as in âKellyâs Heroesâ), and the lwoer rates paid for exttras) was that its army had both T-34/85 as well as Shermans.
Incidentally, in âKellyâs Heroesâ this a dramatically important aspect, that the Tiger had to start its engine for 15 minutes every hour. This was the actual practice: might not seem a good policy for a warring party which had such increasing problems with supplying fuel, especially taking into account the âthirstâ of the Tiger engine, but also is the measure of how desperate they were: the fact is that Tiger engines had problems with cold start.
Regards, Andrzej
Agreed â what a great ( anti-war ) movie that was ( although cloaked in a mixture of satire, mockery and outright goofy humor ), and the effort put into at least trying to reasonably simulate real Tiger Iâs was very commendable. In the context of the time period ( the 1970âs ), this was in very sharp contrast to contemporary films that made no attempt whatsoever at such simulation, hence innumerable scenes of surplus M-47 Patton MBTâs garishly painted in semi-gloss grey with huge Maltese crosses painted on the sides of their turrets advancing in line-abreast formation over open ground â you all know what I am talking about. Even the critically-acclaimed movie âPattonâ was guilty of this sort of subterfuge.
The Tiger in Fury is real. Although I was terribly disappointed in the film, I was happy that at least one film has running tiger in it. In fact, ff we ended it right after the battle with the Tiger, it would be a tolerable film.
Perhaps the allegory is a parallel to Captain Ahabâs obsession with the White Whale, but with itâs own special twists.
An excellent recommendation, Ian, and thanks very much. Itâs just too bad that here in our country, the general public, which, frankly, still has little real interest in history or geographical awareness ( thank God that is gradually changing with the latter-day Generation X and with the Millennial Generation, with the head start provided by more open-minded members of previous generations ), is not given the chance to really see historical truths on film without excessive licence and distortion on the part of the producers, a truth that rarely sees the light of day due to all the commercialized hype and âdreckâ â yes, absolute âdreckâ â that has been generated in the name of drama, profit and little else apart from nationalistic jingoism that murders the truth. There have been many wonderful exceptions to the rule in American cinema, but they are, unfortunately, still in the relative minority and do not often garner widespread acceptance with the exception of landmark films such as âTwelve OâClock Highâ, âThe Best Years Of Our Livesâ, âFlags Of Our Fathersâ, âLetters From Iwo Jimaâ, âPlatoonâ, âHamburger Hillâ, âSaving Private Ryanâ, âThe Bridge At Remagenâ, âA Bridge Too Farâ, âBlackhawk Downâ and âThe Hurt Lockerâ ( and we still have to allow for some amount of artistic licence even then ). Note that I am speaking here of American cinema â thankfully, there are many well-made foreign films such as âDas Bootâ, âStalingradâ, âAssemblyâ, âIndigenesâ and âMy Wayâ to provide additional balance.
The exaggerated rubbish one sees in âFuryâ ( as well-made and emotionally-appealing as it might be ) is almost painful to watch. And thank you for openly speaking up about the facts concerning Audie Murphyâs stand-off with the enemy ( which nevertheless was quite an incredible feat of courage and arms that deserves the highest praise by any standards, bar none ).
âMy Wayâ was pretty good, although it was based on the life of a single Korean man, but it was nice to see a film from South Korea in which a Japanese person and a Korean person became friends. Personally, I have a Korean friend, though I havenât seen him in years, that had a deep dislike of the Japanese. I know it is influenced by the former Japanese occupation of Korea, but honestly it is my belief that the people of both nations should try to move on, while acknowledging what was done, honestly address things like the sex slaves and so on, but move on to being friendly and good willed towards each other.
Agreed, Ray â thanks for the insightful comments.
â(âŠ)âStalingradâ(âŠ)â
There is more that one movie with that title, please precise about which film you are thinking:
Stalingrad (1943, directed by L. Varlamov, Soviet Union)
Stalingrad (1989, directed by Yu. Ozerov, Soviet Union)
Stalingrad (1993, directed by J. Vilsmaier, Germany)
Stalingrad (2013, directed by F. Bondarchuk, Russia)
Thanks for the reminder, Daweo! I was thinking specifically of F. Bondarchukâs 2013 version, but I have also seen J. Vilsmaierâs 1993 version several times. Both are excellent films, and unhesitatingly portray the incredible waste, suffering, futility and vileness of war for what it truly is, and what it does to human beings.
@ S.N.A.L. â âEnemy At the Gatesâ is a pretty good film in the same vein. Thanks for bringing it up.
For more outstanding examples, I should also have mentioned British films such as âThe Dambustersâ, âThe Battle Of Britainâ ( actually a joint American and British production ) and that epic of the terrible North Atlantic Convoys, âThe Cruel Seaâ, based closely on Nicholas Monsarratâs novel of the same name, and which was written based on his personal experiences as an escort commander during the war.
Incidentally, a much more realistic Tiger I was constructed for the White Tiger movie, but was not completed in time, and so they had to use a sloppier mock-up.
Search on âWhite Tiger tankâ in YouTube, and you should get a nice video of the better-looking but unused version.
âbut was not completed in timeâ
So far I know the first mock-up was not used, due to lack of money of film makers. This mock-up was made by Â«Đ ĐŸĐœĐŽĐŸ-Х», you can see it on their site: http://maketoff.net/maket-vvorujeniya-i-voennoi-tehniki/0011-detail.html
Apparently it is still waiting for buyer, considering that there are âĐаĐșазаŃŃ ĐŒĐ°ĐșĐ”Ńâ link
Thanks for posting the link to the makerâs site. Judging from the pictures, they built the best Tiger replica to date; it is much more than just a mock-up.
http://en.wikipedia.org/wiki/Theirs_Is_the_Glory
This is a pretty interesting movie, not only does it feature real, driving german, tanks, it uses actual british market garden vets to take them out!
Note that âTheirs is the Gloryâ is now in the Public Domain and is available for free download at https://archive.org/details/TheirsIsTheGlory1946
If you are searched for hardware-realism war movie I will point you to some pre-WW2 soviet films: for example you might see âĐŃлО заĐČŃŃа ĐČĐŸĐčĐœĐ°â (1938) here: https://www.youtube.com/watch?v=0Nif1fYztWs which described the war between Soviet Union and âFascist Stateâ
I watched that one a couple of months ago. I thought it worth the time.
ââ(âŠ)âStalingradâ(âŠ)â
There is more that one movie with that title, please precise about which film you are thinking:
Stalingrad (1943, directed by L. Varlamov, Soviet Union)
Stalingrad (1989, directed by Yu. Ozerov, Soviet Union)
Stalingrad (1993, directed by J. Vilsmaier, Germany)
Stalingrad (2013, directed by F. Bondarchuk, Russia)â
and in 2001, the french âstalingradâ in english âEnemy at the Gatesâ directed by Jean-Jacques Annaud:
http://en.wikipedia.org/wiki/Enemy_at_the_Gates
âHollywood, of course, produces movies as consumer products. Calculate what should net the most sales by picking the right starring names, storylines, plot elements, and so on. Itâs a great formula for making lots of money. Itâs not so great at producing film for the sake of film.â
Very well said in a nutshell, Ian. It reminds me of the movie âCaptain Philipsâ, which was an excellent and realistic portrayal of the âMaersk Alabamaâ incident that did not resort to a lot of artistic licence. However, âCaptain Philipsâ was also extremely narrow in its portrayal since it focused primarily on the immediate vicissitudes surrounding a relatively small handful of individuals, namely the crew of the âMaersk Alabamaâ, the Navy SEAL rescue team and the handful of Somali pirates who were their adversaries. The movie failed miserably at an opportunity to convey the true reasons behind Somali piracy in international waters â the terrible, grinding poverty of Somali fishermen, their hopelessness, their despair and realization that there is no other way out of their circumstances when the once-abundant catch fails time after time and their families starve because â ironically â the fish stocks in their waters have been severely depleted due to over-fishing by well-equipped, well-organized modern foreign fishing fleets from the so-called âcivilizedâ world that now condemns them as pirates. Instead, âCaptain Philipsâ turned out to be a very well-made but highly-parochial piece of Hollywood hype of the sort you have described. To be sure, there were hints of the situation as seen through Somali eyes if one were sensitive enough to pick up on them ( as it was in âBlackhawk Downâ ), but I am almost certain that the majority of American viewers failed completely to even remotely understand this in the emotions of the moment, that black-and-white âus-versus-them / good guys versus bad guysâ outlook that, fed by much ( though not all ) of the media, still seems to prevail in this country. The casualty of this attitude is the loss of humanity. Thankfully, there are those who understand better.
I would strongly recommend watching âFishing Without Netsâ by Cutter Hodierne as a counter-point to âCaptain Philipsâ. Though fictional, it very closely mirrors the true plight of Somali fishermen forced to turn to piracy by impossible circumstances beyond their control, circumstances the rest of the world conveniently does not understand or even want to understand, and which few care about. âFishing Without Netsâ is like âDas Bootâ â a realistic and painfully truthful representation of the other side. The only place where I have been able so far to find this film is on Amazon Instant Video, and it is priced at $3.99 for a one-time rental or $14.99 for outright on-line purchase, and I think itâs worth every cent and much more. I also posted a short review ( under an alternative user name ) of âFishing Without Netsâ on Amazon if anyone would like to read it. I donât think it would take long for those of you who are familiar with my writings to figure out who it is. This film makes one seriously ponder the question : âWhat would I do if I were put in similar circumstances, with no way out?â. The answer is obvious.
Ian, do you mean to say you werenât impressed by the tactical prowess of the 3. Besondern BedĂŒrfnissenabteilung against a lone, disabled tank?
I gotta say that this article is completely wrong about the tiger tank in White Tiger. It is an outstanding 1:1 replica of the Tiger 1, of course incomparable to the real Tiger 1 (Tiger 131 from Bovington) that was used in fury, but leagues above the replica tiger from saving private ryan, which was just a tiger hull slapped upon a t34 chassis.